Shakespeare in love ending
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At the start of the extract, she shares his iam.
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Her understanding of their love is rather dramatically ironic but also true, as their love does grow in a different way expected ultimately to a tragic climax. She states ‘our loves and comforts should increase even as our days do grow’ which could be a truthful and good response to his powerful declaration. Her replies are less idealistic and more realistic, and due to Othello’s naivety, I feel more inclined to believe Desdemona’s idea of their love, which is truthful and happy. Desdemona’s replies could also be an indication of their truthful love. If even manipulative and relatively evil Iago agrees with the view, perhaps their love is indeed truthful. This exclamation agrees with Othello’s view of his and Desdemona’s harmony in their relationship which suggests Othello’s truthfulness and lack of exaggeration in his statement that ‘this, the greatest discord be that e’er our hearts shall make’ which suggests kisses are the only absence of harmony their hearts shall ever feel. At the end of this extract, Iago states ‘O, you are well turn’d now!’. Later on in the play, we do see Othello poisoning Desdemona, which of course suggests the idealistic love they have, as this over-powerful and passionate love eventually leads so such strong emotion in Othello that he murders his ‘fair warrior’ in a fierce climax. One could also argue against the view that their love is too idealistic ever to end in happiness. Othello's words are juxtaposed with Desdemona’s which are sweeter, more concise and perhaps more realistic, for example, her reply to Othello’s wish for death at that moment due to his happiness, ‘the heavens forbid but that our loves… should increase’ which is a much more subtle reply of love in my opinion and suggests an easier tongue with words of love due to her upbringing in Venetian society.
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Othello’s words are strong and powerful, for example ‘my soul hath her content’, where the use of the word ‘soul’ suggests a powerful deep connection of love, and ‘sweet powers’, which shows yet another term of endearment towards Desdemona and therefore suggests his naivety in love and relationships. The contrast of Othello and Desdemona’s remarks helps us see Othello’s idealistic love towards his wife. This again shows a rather idealistic view on their love, as this 'puppy love' does not normally last throughout a relationship and indeed does not last for Othello and Desdemona. Throughout the extract, Othello’s words are extreme and passionate, for example he again exclaimed ‘O my soul’s joy’ which conveys his infectious happiness but also, perhaps, a rather childish view on love, which today we may call 'puppy love'. Her reply to him where she calls him ‘my dear Othello’ is much more subdued and in turn helps us see Othello’s line as a deep exaggeration, as her line is much more realistic and perhaps less animate. By using war imagery to describe his lover it presents an idea of integration of the two main themes of Othello's life, perhaps suggesting his inability to separate the two.
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The use of ‘warrior’ as a term of endearment conveys an admiration of Desdemona, but could also be an unrealistic and therefore idealistic view of Desdemona as a so-called ‘warrior’, in a literal sense but also a metaphorical sense, which we know she is not. This exclamation suggests a serious excitement and love towards Desdemona. At the start of the extract, Othello opens with ‘O my fair warrior!’. Othello and Desdemona’s love is arguably extremely strong, perhaps even over-powerful on Othello’s side, which could be seen as either idealistic to an extreme or, to certain critics, entirely fake.In Othello, some could believe that indeed their love is too idealistic to ever end in happiness. Many romances in Shakespeare's tragedies end in imbalance and death. However, they can also be described as extremely idealistic, and give unrealistic expectations of love. His written romances are strong, often overly-passionate and liberated which help the audience understand the extent of love in these relationships. In Shakespeare’s romance plays, for example in Romeo and Juliet, a large emphasis is placed on idealistic love which does not usually end well for these two lovers.